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The story centers on Ilya Ilyich Oblomov, a kind but lethargic aristocrat who spends most of his days in bed. He avoids decisions, responsibilities, and change, remaining cocooned in domestic comfort.
His close friend, Andrey Stolz—a pragmatic and industrious man—attempts to rouse him from inactivity. Oblomov briefly falls in love with Olga Ilyinskaya, whose vitality and intelligence symbolize modern progress. However, unable to sustain the emotional and existential effort, he withdraws and marries his nurturing landlady, Agafya Matveyevna, who accepts his passivity.
Oblomov dies quietly, a symbol of personal and cultural inertia prevailing over possibility.
| Character | Description |
|---|---|
| Ilya Ilyich Oblomov | Protagonist; gentle, passive, paralyzed by comfort and indecision |
| Andrey Stolz | Friend; modern, industrious, and logical |
| Olga Ilyinskaya | Oblomov’s romantic interest; passionate, intelligent, and dynamic |
| Zakhar | Oblomov’s clumsy yet loyal servant; comic relief and symbolic extension of Oblomov |
| Agafya Matveyevna | Landlady and wife; nurtures Oblomov's passive existence |
Goncharov’s prose is marked by psychological subtlety, slow pacing, and rich symbolism. Though lacking dramatic action, the narrative excels in emotional nuance and existential tension.
Tolstoy admired the novel’s depth, while Lenin regarded Oblomov as a metaphor for national inertia.
*Oblomov* is not merely about laziness—it's a meditation on the human struggle between potential and avoidance. Goncharov’s exploration of aristocratic decay remains timeless, shedding light on fear-driven stagnation and the quiet tragedy of an unlived life.