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Bozorg Alavi’s novel Her Eyes was first published in 1952 and quickly became a cornerstone of modern Iranian literature. Combining elements of romance, political dissent, and mystery, the novel tells a story that unfolds within the realms of art and history. With its layered characters and suspenseful narrative, it remains a compelling read decades after its release.
The story centers on Master Makan, a renowned painter and political activist who dies in exile. After his death, an exhibition of his work is held, and one painting — titled “Her Eyes” — draws particular attention. The narrator, a school administrator, becomes obsessed with uncovering the identity of the woman in the portrait. He eventually meets her: Farangis, a young aristocratic woman who fell in love with Makan but was unable to reconcile her feelings with his revolutionary ideals.
Alavi employs a dual narrative structure, beginning with the narrator’s investigation and transitioning into Farangis’s recollections. This layered storytelling builds suspense and deepens the emotional complexity of the novel. The prose is clear and elegant, making the story accessible while retaining its psychological depth.
Her Eyes is not only a literary achievement but also a political statement. It has been translated into multiple languages and remains widely read in Iran and abroad. Some critics believe Master Makan was inspired by historical figures like Kamal-ol-Molk or Taqi Arani, adding historical resonance to the novel’s fictional world.
Her Eyes is a timeless blend of romance, ideology, and mystery. Bozorg Alavi’s elegant prose and layered storytelling invite readers to reflect on the sacrifices made for love and freedom. The novel stands as a powerful testament to the enduring tension between personal emotion and political conviction in Iranian history and literature.